1973 BBC TV movie adaptation of the book by Lewis Carroll.

A year after Charlie's daughter disappears, another girl from Elrod, Georgia goes missing. Convinced there is a connection, Charlie draws suspicion and contempt from local law enforcement and townspeople as she stops at nothing to expose its most devastating and darkest secret.

A mother needs her son after her husband's betrayal.

A mother needs her son after her husband's betrayal.

A robbery is prevented by an undercover art dealer pretending to be a criminal. Edited from TV series, The Baron.

William McKay’s successful New York executive career is in ruins after a shocking betrayal. Called by his estranged father, William travels to Belize for a father & son fishing tournament that reopens old wounds and sparks new understanding. Decades later, William recalls that pivotal trip as he tries to connect with his angry, distant grandson.

"The Looking Glass Murders" is an obscure, shot on video, made for Scottish TV version of the mime improv play "Pierrot in Turquoise," which Lindsey Kemp and David Bowie first staged in 1967. Pierrot is a freaky mime who ventures into a mirror where he falls in love and rolls around with the equally grotesque Columbine. But when Columbine beds black stallion (in half-assless spandex) Harlequin, Pierrot's jealousy takes over and drives him to murder. Cloud watches over the proceedings from his perch (on a ladder!) and narrates in song. 　　"Weird" doesn't begin to describe this one. It begins and ends with a man playing piano, but no sound is emitted. The sparse production doesn't betray its theatrical roots -- there's a grand total of two sets and they make no attempt to disguise the fact they're thrown together on stages. While I've never found mimes as unsettling as most, the trio in this film are REALLY creepy. And although it has a short running time of 26 minutes, it's so tediously strange and surreal that it felt like it was three hours long. When it comes to films I'm a bit of a masochist, opting for the strange, bizarre and reviled, but this one was almost too weird for me.

Cagney and Lacey work a case involving police corruption and document forgery. Chris seeks a prestigious promotion, while Mary Beth has to deal with the return of her sickly, aged father.

Jim Proctor, a middle-aged tycoon, decides to hand over his glass-making company to his young nephew Paul Duggan.

Amanda Wingfield dominates her children with her faded gentility and exaggerated tales of her Southern belle past. Her son plans escape; her daughter withdraws into a dream world. When a gentleman caller appears, things move to crisis point.